Saturday 29 September 2012

10 Killer Adobe Photoshop Tips For Designers

Believe it or not, if you’re using Photoshop to design website, you’re on the right path to become a successful web designer. This is simply because Photoshop is one of the most advanced tool in the design industry that can make your creative imagination comes true with its plethora of professional tools which boost your productivity at the same time.
But how well do you know about Photoshop? Sometimes we’re wondering why certain web designer can design a website layout with extremely heavy graphics in 5 days, while we need around 10 days to complete that kind of design. It’s probably not about how fast you can click, it’s about how well you know about Photoshop, how you gonna unlock its full potential to boost your productivity.
adobe photoshop killer tips
We want you to know how to unlock its full potential. Yes, that’s why we created this post, to provide you 10 extremely useful Photoshop tips to boost your design speed. There can be shortcut, feature or setting you don’t know about, but not anymore. With this article you gonna learn them all, and you will design faster, and faster.
Note: Shortcut keys mentioned in this article are in Windows Photoshop format. If you are using Mac, be sure to know that Ctrl = Cmd (Command) and Alt = Opt (Option).

10. Undo, More Undo Please

I totally believe that we designer are very addictive to undo something, even until when we made a mistake on sketching, we tend to ‘undo’ it.
Well as you might know by pressing Ctrl + Z in Photoshop you can undo the previous action you made, but when you press the same key combination again, it will redo the previous action. This is quite unnatural and troublesome as you always need to undo multiple times to get to the state you want.
keyboard shortcut panel
Believe it or not, Photoshop has a specific button for multiple undo, and it is Alt + Ctrl + Z. Yes, by using this key combination you can undo multiple times, according to the value of History States you set in Edit > Preference > Performance.
If you’re used to common Undo’s key combination which is Ctrl + Z, you can simply press Ctrl + Shift + Alt + K to access Keyboard Shortcut panel and change Undo’s key combination under the Edit section to Ctrl + Z.

9. Sampling Color, anywhere!

Stumbled upon a nicely designed website and wondering which exact colors is it using? This happens very often when I’m seeking inspiration during the time I’m doing site layout in Photoshop. For me I will launch a color picker, pick the color and get its hex number, then click on the color palette in Photoshop, then input the hex number then get the color, pretty annoying isn’t it?
sampling color anywhere
Well you don’t really need to suffer like that, you can actually just click on Eyedropper tool or pressing I to activate it, then click on the Photoshop’s work screen and drag the Eyedropper icon to anywhere on the monitor screen to get the color you want. Yeah, it’s really that easy.

8. Flexible Guide

Tip #8 is actually combination of 2 tips, I hope you don’t mind about getting more tips. As web designer we have to deal a lot with guide to position an element correctly, in other words is pixel perfect.
How do you create a guide? Click on View, New Guide then decide it’s horizontal or vertical guide, input its position and click Enter? Alright, you can save these works by just pressing Ctrl + R to activate the Ruler tool, click on the tool and drag it down to create a horizontal guide, or vice versa.
flexible guide
Besides instant guide creation, here’s another useful tip for you. While dragging a guide with Move tool which can be activated using V key, press and hold Alt key to change the horizontal guide to vertical guide, or vice versa. Now you can probably consider yourself as professional on using guide.

7. Fun Layer Style Cloning

Layer styles are very entertaining when you can just apply them to make, let’s say, a social media icon looks pretty charming and unique, but it will be very tiring if you want to apply same layer styles to all social media icons which usually come in multiple pieces.
Have you ever realized that there’s an fx icon beside your layer? Well everything exists for a reason, if you press Alt and drag the fx icon to another layer, it will copy first layer’s styles to the one you dragged to, convenient isn’t it?
layer style cloning
Also if you are interested about the common use of that fx icon, it allows you to move a layer’s styles to another and all you need to do is simply drag the icon to another layer without pressing Alt key.

6. Element Centering Made Easy

In order to achieve a pixel perfect design, we oftenly have to position element to exactly where it should be. This seems easy as you can just create some guides and snap the element to those guides, but it will be daunting if you want to absolute center an element in certain area, which requires a lot of guides, measurement and focus.
In fact you have a way to make this entire process a lot more easier, click on the element’s layer which you want to absolute center, then press Ctrl + A to select the entire document. After that, fire the Move tool and you will see some icons beside the option, Show Transform Controls. Click on the 2nd icon to vertical center the element, then click on 5th icon to horizontal center the element, there you go, an absolute centered element.
absolute centering
You can not only absolute center the element in entire document’s area, but also absolute center it in certain area. Let’s say I want to absolute center an element in footer area, I can simply select the footer area by using the Selection tool which can be activated by pressing M key, then absolute center the element in that specific area.
footer absolute centering
You can study other alignment options beside the Show Transform Controls option, they are very useful for aligning your elements in a wide range of situations.

5. View Selection, One At A Time

Often in designing a layout you need to check how an element looks exactly by its own or by few elements, for example in website layout below, I want to check slider’s buttons to confirm that they do not have transparency so they look exactly the same with or without slider’s image.
view one selection
In past I have to turn off the visibility of slider image’s layer, slider background’s layer and even content’s background layer, but now I can just simply hold down the Alt key, then click on the ‘eye’ icon beside the button group to turn off all layers’ visibility so that I only view those buttons. After I checked them, I can just repeat the trick again to bring all layers’ visbilibity back.
This trick is also extremely useful while it comes to image slicing. You want to slice slider’s button without any other element like slider image, so you can use this trick to turn off all layer’s visibility to just slice the button, then repeat the trick to recover all layer’s visibility so it saves a lot of time wasted on turn on and off layers’ visibility.

4. Customize Font’s Tracking, Anytime

This particular tip shows you how to increase the font’s tracking in certain part of the type easily, so it might only be used on certain specific situation like logo or button creation, but it’s a professional tip that can save lots of time on finding fonts with suitable typography for your logo or button creation.
decrease font tracking
Alright, let’s say I want to decrease the tracking of the type, ’360′ so my logo’s type looks unique that visitor remembers it easier. I can select ‘POLO360′ by using Type tool which can be activated by pressing T key, then hold down the Alt and press < button to start decreasing the type’s tracking, which will bring the result above.
You can use this trick to tackle tracking issue of some artistic fonts, so there’s no worries about tracking next time you want to find graphical fonts for your logo creation!

3. Instant Layer Selection = Win

Layout design is an exhausting job as we have to tackle lots of issues such as typography, spacing and graphic, but it will be overwhelming if we want to find a specific element’s layer from hundreds of layers.
instant layer selection
Let this trick makes your designer’s life easier. Activate the Move tool using V key and hold down the Ctrl key, then click on the element and you will automatically select the element’s layer. It’s really that simple but keep in mind that if you put elements into a group, then by using the same trick you will be selecting the group’s folder that contains the element you clicked, as shown above.

2. Smart Object For Smart Designer

Just as its name, Smart Object makes your editing smarter by carrying out 2 primary functions: perform nondestructive transforms and perform filtering. This feature comes in very handy especially when you’re producing a site layout with heavy graphics like stock photos, social media icons and UI kits, and all you need to do is right click a layer, then click ‘Convert to Smart Object’ to enjoy its benefits.
The first function says that once a layer is converted into a Smart Object, you can transform it anyway you want without losing its original quality. In our case we want to make the image slider smaller so we convert image slider’s layers to Smart Object and transformed it into something smaller.
transformation
Ouch, it’s just too small so I decided to change it back.
backward transformation smart object
Looks like everything’s okay and nothing happened right? Below is the result if you applied a backward transformation without converting layer to Smart Object.
backward transformation
So you can probably see the difference here, especially slider’s buttons part. The backward transformation without Smart Object applied on layers makes the slider and slider’s buttons lose their quality. So by converting a layer to Smart Object, you can transform it to any smaller size you want but once you regretted about your decision, you can change it back without losing quality.
Another benefit by converting layer into Smart Object is once you applied filter on a Smart Object, a filter’s layer will appear under the Smart Object’s layer so you can disable filter easier by just turn off the visibility of the filter’s layer, and that’s called nondestructive filtering, great time saver for your project.

1. A Snapshot Of Beautiful Past

Now you learned how to undo multiple times, copy layer styles, faster layer selection and using Smart object these great time saving tips. Well, these are really handy skills that greatly boosts your productivity but how about after 2 hour’s work, you regretted your editing and decided to start from the middle? Redo it completely will be very exhausting and boring even you applied all killer tips you learned before, so that’s when Snapshot kicks in.
snapshot
Snapshot allows you to create a temporary copy of any state of your editing so when you have trouble on improving your design and decided to go back, you can simply click on a snapshot to bring you back to the state you desired. To take a snapshot, you just have to open History palette, and click on the 2nd icon you see on the bottom of the palette.
There are also some useful features for snapshot like you can take multiple snapshots so you have more choices and you can name them so you remember them easier. Ultimately you can also use these snapshots to compare different effects you created for your design.
However, be sure to remember that once you closed the document, snapshots will be deleted instantly so if you want to keep those states, you can click on each snapshot and save the document as another file.

THE FOUNDRY AND LUXOLOGY JOIN FORCES

THE FOUNDRY AND LUXOLOGY JOIN FORCES

Combined group will provide a new avenue for computer graphics
production



London, 25th September 2012 – Leading visual effects software developer, The Foundry, today announced its merger with Luxology. The two companies are a great fit in terms of technology and markets. The combined portfolio will open doors to new ways of working, providing artists and designers with increased creative choice.

The Foundry with its stable of award-winning 2D and 3D VFX software, including industry standard compositor NUKE, sees Luxology’s complementary technology as a natural addition.

Luxology’s innovative 3D modelling and rendering technology and its flagship product, modo, are world class and favoured by thousands of artists and designers globally.

The collective product range is very exciting, but equally important is the shared ethos of the two companies and the staff within them. Both The Foundry and Luxology have strong reputations for being community driven and good collaborators. They are widely recognised for building tools around customer needs, providing artist-friendly workflows and great support.

This union will allow us to push the boundaries for our customers across a wide range of industries.

Bill Collis, CEO of The Foundry comments:
“We were impressed by modo's strong roots in a variety of markets - including VFX, design and games - and by Luxology’s focus on creating artist friendly, highly advanced technologies. Both comapnies are a great match for each other. The Foundry and Luxology's products are highly complementary, and we both like our products to be open and flexible, letting the customers choose how they want to work. In the short term we will be continuing to develop the interaction between our products, which will be of immediate benefit to all of our customers. We can’t wait to see what our combined experience and knowledge will allow us to build in the long term.”

Brad Peebler, President of Luxology comments:
“The Foundry has an impressive pedigree in the visual effects industry, where its products and attention to customers are second to none. Creative industries are converging in terms of media, quality and deliverables. Joining forces with The Foundry will allow us to accelerate the development of modo, ushering in a new era for our customers. We simply can not wait to leverage our combined strength to change the landscape for content creators everywhere.”

A year ago, at a chance meeting organised by ILM, John Knoll threw down the challenge of integrating products from both companies. This initially sparked the idea that the two companies could be a greater force together than apart and the merger idea snowballed from there.

John Knoll, Visual Effects Supervisor at Industrial Light & Magic comments:
“I am a big fan of both Luxology and The Foundry having been using modo for quite a while and KATANA here at ILM in the last 18 months. Their marriage is really exciting for the VFX community. Their combined technology and similar approach to working with customers is a very interesting development. I’ll definitely be keeping my eyes on them.”

About The Foundry
The Foundry is a world-leading innovator in visual effects technologies and is internationally renowned for its product design and collaborative approach. Founded in 1996, the company has established itself as a critical partner to major feature film studios and post production houses worldwide including The Mill, ILM, The Moving Picture Company, Walt Disney Animation, Weta Digital, Framestore, Sony Pictures Imageworks and Digital Domain.

The company's products have been used to create breathtaking effects sequences on a wide range of features, television projects and commercials. High profile examples include the 2012 Oscar® winners, "HUGO" (Best Visual Effects) and "Rango" (Best Animated Feature Film) as well as the EMMY award-winning "Boardwalk Empire."

The Academy of Motion Picture Arts and Sciences awarded a Sci-Tech Award® to The Foundry’s development team for the FURNACE image processing suite in 2007 – and the company now holds two products with AMPAS Sci-Tech Award® winning technology including high-end compositing system NUKE.

In 2011 The Foundry ranked 54th in The Sunday Times Tech Track (up three places from 2010), and debuted in both the Sunday Times International Track and the Deloitte Technology Fast 50 lists.

Backed by The Carlyle Group with a substantial portion still owned by the staff, The Foundry is run by its original management team.

© The Foundry, its logo and product names are registered trademarks in the UK, USA and/or other countries. Academy Award is a registered trademark of the Academy of Motion Picture Arts and Sciences. All other trademarks contained herein are the property of their respective owners.

About Luxology
Based in Mountain View, Calif., Luxology® LLC is a technology company developing nextgeneration 3D content creation software that enhances productivity via artist-friendly tools powered by a modern underlying architecture called Nexus®. Founded in 2001, by Allen Hastings, Stuart Ferguson and Brad Peebler, Luxology is home to some of the top 3D engineering expertise in the computer graphics industry.

Luxology’s modo is at the centre of an active global user community producing models, images and animations of the highest quality. Luxology’s rendering technology is under licence to Dassault Systèmes SolidWorks Corporation and Bentley Systems, Incorporated.

More information on the company, its licensable Nexus technology, its flagship product modo® and a gallery of images from the Luxology community is available online at www.luxology.com.

Sunday 23 September 2012

Relaxo VFX Making Starring Salman Khan by Futureworks India

Seeing this ad being played on our television sets very often these days , pervades us up with our admiration for the Superstar and the Larger-than-life presence that he creates amongst everything around him… Yes , we are talking about the entertaining "RELAXO TVC" that features Salman Khan rescuing the ladies from dangerous situations ..

However , what we are unaware about is the VFX studio that has given the look that the TVC carries today and makes us fall in love with the commercial. FutureWorks Media Ltd. India is responsible for the magnificent VFX incorporated in the TVC. Founded in 2007 , FutureWorks provides state of the art post production services to television commercial and feature productions.

Futureworks India has been gracious enough to share with us the VFX Breakdown of the whole TVC and gain an insight into the challenges faced by them shooting for the ad.